Candace Webb : Kiln 9 Ceramics

Hello, my name is Candace Webb, and I am the creative force behind Kiln 9 Ceramics. 

For me, every piece I create is driven by a profound belief that art must be executed with passion, authenticity, care, and love—anything less simply does not resonate.

My journey in the world of ceramics spans over 20 years, a path that has been shaped by both formal education and invaluable mentorship. I’ve studied ceramics at two esteemed Canadian universities and had the privilege of apprenticing with two master potters before launching my own practice. The core influence behind my work lies in West Coast Leach pottery, which was introduced to me by renowned British Columbia potters Sam Kwan and Vincent Massey, whose impact on my craft has been immeasurable.

Growing up, I spent countless summers at my uncle’s hand-built geodesic dome on Hornby Island. It was there that I was unknowingly immersed in the world of ceramics. The work of Hornby Island potters Wayne Ngan, Heinz Laffin, and Gerhard Kozel was an integral part of our everyday life. Our family shared countless meals served in these pots, which, in retrospect, played a significant role in shaping my future as an artist. These vessels were not mere objects; they were part of the living tradition of craftsmanship that subtly wove itself into my DNA.

Though my artistic inclinations were always evident, it wasn’t until after high school that I found my true calling. Initially, I worked at Arc’teryx Equipment Inc., and spent my free time indulging in outdoor pursuits like skiing, downhill mountain biking, and rock climbing. My interests were initially drawn to the graphics on skis and snowboards, and I began to question whether art could truly support me financially. In 2002, I enrolled in Capilano College’s Studio Art Program, initially intending to build a portfolio for design school. It was in one of my ceramics classes, under the mentorship of Sam Kwan, that I was struck with the realization that ceramics was where my heart truly lay.

Following graduation, I was fortunate enough to apprentice with Master Potter Vincent Massey in Whistler, BC. For several days a week, I honed my craft, learning traditional ceramics techniques while continuing to work as a Nordic ski instructor in the winter and a mountain bike coach in the summer. Vincent’s teachings were transformative; his training with pottery legends like Michael Cardew, David Leach, and Wayne Ngan left an indelible mark on my approach to pottery, which is still evident in my work today.

In 2010, my thirst for continued learning led me to the Alberta College of Art and Design. However, I soon realized that the program was not aligned with my artistic goals, and my previous experiences had outpaced the curriculum. I shifted my focus to studying business, a decision that would eventually support the entrepreneurial side of my creative practice.

By the spring of 2010, I had moved to Fernie, BC, where I worked as a professional mountain bike coach for Sacred Rides and Trek Dirt Series, traveling extensively across Canada and the United States. Yet, even amidst my travels, my passion for ceramics never waned. Eventually, I returned to Canmore, Alberta, to study business while working part-time at the Banff Centre for Arts and Creativity and apprenticing with John and Katie Borrowman of Of Cabbages and Kings Pottery. This period allowed me to further explore the intersection of creativity, business, and functional ceramics.

The call of British Columbia’s world-class outdoor lifestyle eventually led me to the Okanagan Valley, a region known for its vibrant farm-to-table culture. It was here that my focus shifted to functional, foodie-inspired ceramics—pieces that were both utilitarian and aesthetically pleasing.

In 2016, as I was preparing to establish my own studio practice, I learned that a local community ceramics studio was closing and selling its equipment. Recognizing an incredible opportunity, I arrived promptly that day as the first person to claim the studio, fully prepared with a trailer and the resources needed to bring my vision to life. This moment marked the beginning of Kiln 9 Ceramics and the foundation of a practice that continues to grow and evolve.

Today, my work is deeply influenced by the legacy of both past and contemporary masters. In addition to the foundational impact of my earlier influences, I draw ongoing inspiration from potters such as Lisa Hammond, Hayashi Kaku, Yoshimi Futamura, and Cathy Jefferson. Their dedication to pushing the boundaries of ceramics, both technically and artistically, fuels my commitment to blending tradition with innovation in my own craft. These influences are reflected in the forms, textures, and glazes I develop, creating ceramics that honour the past while embracing the possibilities of the future.

Since then, Kiln 9 has grown into a thriving practice, producing thousands of ceramic pieces that have graced the tables of high-end restaurants and boutiques. My work has been featured in both local and international publications, and my ceramics have won gold at competitive culinary championships. I have taught numerous workshops, from private sessions to community classes, driven by my passion for ceramics and my desire to share this craft with others.

Today, my creative endeavours are focused on blending traditional techniques with contemporary methods, producing statement, functional ceramics that challenge the boundaries of design. I find inspiration in nature, collecting raw materials, exploring textures and colours, and continually pushing the limits of form and function.

All of my ceramics are hand-thrown, altered, slab-built, and oxidation-fired, using glazes I have personally developed and mixed. Occasionally, I collaborate with other potters to explore more atmospheric firing techniques, such as salt and wood firing, which lend unique, organic qualities to the pieces.

I like to think of my ceramics as vessels of everyday life—pieces meant to be used, enjoyed, and passed down through generations. They’re durable enough for the dishwasher but timeless in their beauty, meant to elevate the simple rituals that bring us joy each day.

I hope that my work brings as much inspiration to your life as it has to mine.